Sunday, October 3, 2010

The Rhythms of Place

Perhaps not exactly a geographic map, but it is a mediation on place: I've made a two-year calendar for New Haven, Connecticut that shows the intertwining rhythmicity of astronomical and cultural times, all of which depend on location.


Astronomically, this calendar is valid for four points on the earth, all in the United States (in Connecticut, Illinois, Nebraska, and Nevada). With some easy modifications, however, it would apply to all points around the world at the same latitude, and could be used without much trouble a few degrees north or south as well.

Friday, May 7, 2010

Tuesday, May 4, 2010

The wandering 48

One last little bonbon before I have to put things aside for a while. What would happen if the 48 contiguous states decided to traipse around the world, jumping from sea to sea in search of fun, excitement, and new markets? The cultural story is perhaps a bit too complex for a small online map, but the physiographic answer is here.

Monday, May 3, 2010

Friday, April 30, 2010

A quick demographic update

I've posted a quick update to my U.S. demographic maps. I changed from tract-level data to zip-code data (it seems a more intuitive metric), and added data for Alaska, Hawaii, and the populated U.S. Territories, and expanded my racial categories to include people who self-identify as multi-racial.

I also uploaded high-resolution files. Enjoy!

Sunday, April 25, 2010

The cartography of segregation

Nearly every U.S. city is radically (and disturbingly) segregated, with stark divides of race, ethnicity, and class. I've been playing with various ways to show these divisions, using graphics which are equally evocative, provocative, and rigorous. I've posted two new projects, showing two possibilities: one for Chicago, and another for New York.


In both projects I'm reacting in part against maps which show ethnic areas using solid homogeneous colors, often highlighting only the majority group — such as this Wikipedia map of Bosnia and Herzegovina, or this New York Times map of Pashtuns in the Sulaiman Mountains. Not only do these maps fail to show local diversity or ethnic overlaps, but they visually reinforce the all-or-nothing logic of national territorial statehood that made the conflicts in question so intractable in the first place. These cases are crying out for new forms of mapping — mapping which could directly provoke new ways of thinking. (In other words, radical cartography to the rescue!)


I have high hopes of using such alternative cartographies to make a comparative series showing the morphologies of segregation across all major U.S. cities (something similar to my income donut project), but alas, for now I'm working on a city-by-city basis. In the meantime, see my wall maps of Phoenix for a different version of this same sensibilty.


As always, comments heartily solicited, and much appreciated!

Friday, April 16, 2010

A Physical Atlas of the World

A few years ago I made a physical atlas of the world. The goal was to take on the “general” reference atlas — I wanted to see if I could radicalize it a bit while still staying within the bounds of genre. I think the result was reasonably successful, and a big paper copy is now sitting on my shelf. But I quickly realized that I'd need a lot more time, and many more collaborators, to really make anything of it, and as a pulp-and-ink project it remains at the proposal stage. So why not post it to the web instead?


Drop me a line — I'd love to know what you think!

Wednesday, April 14, 2010

I think we'll all agree on what the world needs now. High-resolution, ready for printing!

Monday, March 8, 2010

I'm very excited to be able to post a project by the Chicago artist Brett Ian Balogh. Brett does a lot of work with sound and space, and he's made a great series of maps showing how the geographies of the three major US megalopolises are inscribed in the invisible "Hertzian space" of the broadcast mass media. Take a look: Boswash, Chipitts, and Sansan. Reimagined government data strikes again!


Like what you see? Why not drop Brett a line and let him know!